![]() ![]() This way both you and front of house get the signal. You may also need a Split Snake if the venue is providing sound reinforcements (some venues we play don't have one). Once you have a mix that you like, it will stay the same from gig to gig. It sucks lugging extra gear, but the benefit is that you will always have consistent monitors. Rock solid construction and they sound amazing.Īnother thing that helps is to bring your own mixer to the gig. Molded to my ears, it sounds like a full PA. It's cool if it sounds good for the audience, but remember that it should sound good to you too! We use Alclair earbuds. your headphones are the final thing in the chain. #ONSTAGE AUDIO PATCH#You've made an amazing patch with the perfect sounds for the song that sit well in the mix. Don't cheap out here, this is very important. Another thing, it helps to have good headphones. This way he can turn around and say "let's play." or "check out the fox in the black dress." also, with the mic this way, we can hear some of the crowd noise that is out front. We place a stage mic near the singer (facing the audience) that only goes to our IEM (not the mains). It helps immensely to have a couple "stage" and "audience" mics, so that you don't feel so closed off. IEM also allow you to accurately hear only what you want. This allows instruments that need mics (percussion, vocals, etc.) to pick up only what they need and there is less (no) unwanted feedback on stage. IEM are great, particularly for keeping stage sound to a minimum. ![]() ![]() We go fractal xlr (mono) out to our board and then use the aux outs to run individual IEM mixes for the band. Me and my lead guitarist have been doing this for years. ![]()
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